Stephanie Rogers studied Fine Art and Art History at The University of Wales, Aberystwyth, earning a BA (Hons) 1st class, followed by an MA in Fine Art with Distinction. Stephanie has exhibited in London and South East based galleries since 2002 and has been represented at International art fairs such as Art London and AAF London. Alongside group exhibitions with notable galleries The Fairfax Gallery and The Northcote Gallery, Chelsea, Stephanie has held solo exhibitions in central London and her work is held in museum and private collections internationally.
"Painting is often an artist's way of making sense of the world, and for me is an opportunity to look intensely at nature's complexity and attempt to tap into something that can speak of a deeper experience...
...Ultimately my work is a conversation in which I endeavour to share the hope, magic and interconnectedness I see in the quiet spaces of the natural world all around me"
“Having painted in oils since I was a young child, the daughter of an artist-Illustrator father, I am driven to continuously develop my understanding of the medium in order to strive for a realism that has a living, breathing, quality. Delicate shifts of hue and light that can be found through careful observation are important to me, along with how these elements can be expressed to suggest mood and atmosphere. It interests me to sometimes push areas of the painting away from traditional realism, whether that be through an expansive minimal plane of colour or a dappled disintegration of form, highlighting the subject and hopefully providing the viewer a space in which to bring their own imagination. My continuing interest in the human experience, light, and the ephemeral as themes has evolved over time, leading me to turn the focus of my subject matter in recent years from the human figure to the natural world. Painting is often an artist's way of making sense of the world, and for me is an opportunity to look intensely at nature's complexity and attempt to tap into something that can speak of a deeper experience. Simultaneously fleeting and timeless, powerful and fragile, it is a constant source of inspiration to me. I have enjoyed exploring a blurred boundary between genres, combining the close, intimate observation of still-life, with the metamorphosising ever changing world of the elemental living landscape. Studying the large patterns and compositions nature creates, against the small forms of organic growth, I attempt to capture something of the profound natural poetry to be found in these fractal arrangements. Harmony and beauty meet decay and renewal, held in a stillness which ultimately becomes uprooted by the cyclical surge of time. Sections of the garden become suspended in space and time for me, flowers sometimes floating in a dreamscape that is not quite day or night. Birds and insects, such as moths, present themselves in my work as messengers, bridging earth and sky, representative of nature's extraordinary intelligence and fragility. Ultimately my work is a conversation in which I endeavour to share the hope, magic and interconnectedness I see in the quiet spaces of the natural world all around me.”